What’s wrong with this picture? Since it was taken by reknowned photographer Annie Leibovitz there’s nothing that could possibly be technically wrong with it. But even an old white chick like me is more than slightly embarrassed that Vanity Fair couldn’t come up with even ONE young starlet of color to spice up this lineup of young Hollywood talent. Young and very talented Gabourey Sidibe is up for an Oscar for her breakthrough performance as “Precious” but had too much butt & belly to make this box of beautiful toothpicks. But if skinny’s the rule, and talent the topic, where’s Zoe Saldana, the actress that played Neytiri in only the biggest movie in history (James Cameron’s AVATAR)? Listen up, VF: you’re feng shui is in trouble if you can’t do better than this. We don’t accept this viewpoint of America any more. We want the full rainbow of talent represented else we’re going to stop reading your rag.
When I look at magazine layouts of architecture and design, I look at them with my feng shui eyes. While it’s always impressive to see luxury homes where no dollar was spared, that doesn’t mean they got the feng shui right. Here’s a recent example I found in Dwell Magazine. The first photo is the view of this new Hamptons home from the street. You can see right inside the living area. But not only that, you can see right THROUGH to the backyard! This is a big feng shui no-no. It’s called a “poison arrow” as it is more than one window or door in direct alignment (especially negative when it exposes your home from front to back like this one does). The magazine said there were plans to add some shrubbery for privacy. That’s a good start but more will be needed to solve the feng shui problem. A better design for privacy and feng shui would have been to have a solid wall towards the street side with a clerestory window running all along the top of it, letting in natural light and a narrow view of the trees and sky with NONE of the street exposure.
Another view of this interior shows a long corridor like feel with a bedroom door at the end of it. This is yet another “poison arrow” and it crosses the first one created by the window-window arrow. A better design would have been to create a barrier wall so the entry to the bedroom was unseen and one would have to change directions a few times to enter the room. Keeping the door closed will help a little in the meantime.
What does a poison arrow matter? It creates too-fast-moving ch’i energy. If you’re “caught in the crossfire” of one poison arrow (let alone two or more) you will not feel comfortable or at ease. Often people will move into a house like this and move out within a short time, not knowing why they do not like living there. It’s about the “feeling” and subconsciously we will not feel safe here.
Here’s the master bedroom of the same house. I think it feels rather cold and uninviting despite the sunny yellow upholstery on the chair and the warmth of the wood floors. The feng shui problems: the closet doors to the left appear to be mirrored. In a room like this where there is already so much natural light from floor to ceiling windows, having the mirrors will cause an overabundance of stimulating ch’i. The light and the energy will be bouncing all over the place. Another problem is the choice of lamp overhead. Much cozier and more intimate to have two lamps, one on either side, instead of what looks like a stand up lamp hanging overhead. The window treatments look very industrial. Altogether not a successful room (in my opinion). Do you like it? Let me know why.